.KhyalAmrohvi(1930-2009)is the prominent name among the poets and the writers who came to the public in 1950's. He was associated with the progressive movement(Taraqqi-PasandTehreek).He actively participated in the promotion of the revolutionary ideas of Karl Marx and Lenin.He saw the changing social structure through the lens of KarlMarx. He always opposed the class differences in the society.He always supported the ideology of Art for the sake of Life in poetic or prosaic literature. The result of this was that the same ideas became his strong reference. His aesthetic sense was buried somewhere under his heavy ideas.Today, he is known and understood as a progressive and revolutionary poet, while the aesthetic style of his poetry has its own special existence.Love and separation, emigration and separation, love for beauty, love-lessness of the beloved, pangs of separation are such romantic and aesthetic qualities that are an asset of his poetry. Although in comparison to his whole literary work, it is equal to drop in ocean.

However, its existence cannot be denied.In his poetry, this topic has been discussed with the help of literary terms such as similes, metaphors and symbols.KhyalAmrohavi had anignite of love in his heart .He seems to have lively & vibrating sensibility in literature.

Although his heart feels deep love for the labourers and the working class yet these emotions are deeply rooted with his feelings of love affection for humanity. There were also love stories which should not be ignored at all. In short, having a final opinion about any literary figure, one should explore his whole literary work and all his aesthetic corners should be taken into consideration. Most of his critics and researchers ignored this aspect of his writings. The main purpose of my article is to bring forward the aesthetic sense of Dr.KhyalAmrohavi. The injustice done to him must be compensated through right prestige to him.

1.   KheyalAmrohi, Kulliyat-e-KheyalAmrohi, Ed. JasaratKheyali, (Karachi: Rang-e-Adab Publication,2018), p. 63

2.  Ibid,p.75

3.  Ibid,p.121

4.  Ibid,p.942

5.  Ibid,p.433

6.  Ibid,p.622

7.  Ibid,p.54

8.  Ibid,p.599

9.  Ibid,p.905

10. Ibid,p.44

11. Ibid,p.56

12. Ibid,p.138

13. Ibid,p.73

14. Ibid,p.893

15. Ibid,p.620

16. Ibid,p.983

17. Ibid,p.1031

18. Riaz Rahi, Dr.KheyalAmrohi:ShaksiataurShairi, (Faisalabad: Misal Publication,2017),p.53

19. KheyalAmrohi, Kulliyat-e-KheyalAmrohi,p.189

20. Ibid,p.644

21. Ibid,p.858

22. Ibid,p.108

23. Ibid,p.626

24. Ibid,p.73

25. Ibid,p.1019

26. Ibid,p.983

27. Ibid,p.1064

28. Ibid,p.218

29. Ibid,p.1027

30. Ibid,p.74

31. Ibid,p.372

32. Ibid,p.895

33. Ibid,p.239

34. Ibid,p.327

35. Ibid,p.438

36. Ibid,p.610

37. Ibid,p.496

38. Mehboob Ali Zaidi, Dr. KhyealAmroohiinQuarterlyAl-Zubair, Urdu Academy, Bahawalpur, 1990, p.36

39. KheyalAmrohi, Kulliyat-e-KheyalAmrohi,p.628

40. Ibid,p.449

41. Ibid,p.667

42. Waqar Ahmad Rizvi, Tareekh-e-Jadeed Urdu Ghazal, (Islamabad: National Book Foundation,1988),p.880

43. KheyalAmrohi, Kulliyat-e-KheyalAmrohi,p.636

44. Ibid,p.53

45. Ibid,p.1021

46. Ibid,p.44

47.Yousif Hussain Khan, Ghalib aur Iqbal Ki MutaharkJamaliat, (Lahore: Nigarishat, 1986),p.48

Bibliography:

1.    Amrovi, Kheyal, Kulyat-e-KheyalAmrohi, Ed. MuratabJasaratKheyali, Karachi: Rang-e-Adab Publication,2018

2.    Khan, Yousif Hussain, Ghalib aur Iqbal Ki MutaharkJamaliat, Lahore: Nigarshat Begum Road,1986

3.  Rahi, Riaz, Dr.KheyalAmrohi:ShaksiataurShairi, Faisalabad: Misal Publication,2017

4.  Rizvi, Waqar Ahmad, Tareekh-e-Jadeed Urdu Ghazal, Islamabad: National Book Foundation,1988

Magazine:

1.   QuarterlyAl-Zubair, Urdu Academy, Bahawalpur,1990

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